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Pleasing The Missus

The Conception
The story of Dent Inn should begin even before its design, which is with its conception. While we (my wife, a dentist, and I) were thinking about starting a dental clinic, we wanted something different. As my wife put it, “I want something like a restaurant where one would love to spend time, and not a smelly hospital environment. If possible, I would also like to have a small art gallery in the clinic for my patients.” I would have loved to say “granted” but it probably was not that easy.

The Hunt for the Place
Getting a suitabl space in Kathmandu which could be converted into something that would do justice to my plans was difficult. After almost two months of searching we finally got a place – an empty apartment in the top floor of Heritage Plaza II, Kamaladi. Even though we were told that that apartment was not right for commercial use, the inquisitive architect in me was curious to find out what it was like.

The Challenges
The first thing I noticed was the oddly placed main entrance bumped directly to the wall, to the left of which was the marbled stair. The stair led to the parqueted lower floor of around 580 sq ft. It was used as an open living room, dining area and tiled kitchen painted in dull beige and mood lighted, it was too dimly lit for a clinic. Additionally, with windows only in the north and west, it allowed only awkward natural lighting. The beams were running all around in non-uniform grids.

The upper floor was linked with an internal stair well which was very dark. I still remember my wife saying, “I hate this part. I need this to be nice as this will be the one eading to my clinical room.” The ugliest part was the 14 inches of beam protruding out of the stair wall at shoulder height causing every passer by to bump into it. Much safer but looking equally ugly was the lower stair. The upper floor was divided into two bedrooms, one large (400 sq ft) and the other moderately sized (180 sq ft). Both the rooms had low sloped ceilings as in the buigal of old Newari houses. The lighting was from small triangular windows and other small windows at skirting height. The floors were carpeted but dull looking.
As one of our colleagues remarked, “It’s a nice place but I do not know how you are going to use it for a clinic.” However, the design was slowly evolving in my mind. I was already beginning to fantasize.

Designer and Client
The next two months were quite interesting for me as a designer. In a way, getting my wife as a client was very different. We could agree/disagree and be very open on each and every idea. My idea of a perfect client was coming to reality. She would express all her ideas and wishes and try to understand the design. At times she would leave it completely up to me with trust, especially when she could not visualize.

The Design
Although many would not have considered it a right place for a clinic, the space appealed very much to me. It had the potential to turn into a subtle and relaxing space that it is now. I knew I would love designing it. The final product goes like this.

Immediately after you enter into the clinic you are greeted by a subdued purple wall. On climbing the stairs on the left you slowly start to see the total gypsum wall layered in purple, yellow and white. Inspired by the layering of hills, these layers are separated by curves and diffused hidden lights. This wall, while it seems decorative, was done primarily to hide the beam that protruded from the wall towards the stairs. It was also done to generate interest as one climbed up the oddly placed stairs immediately after the entrance. The upper part of the wall acts as the first series of the Gallery. The purple and white walls are adorned with exhibits from talented artists from time to time. Coming up the stairs, one is welcomed into a parqueted reception and waiting lounge. Coloured mostly in white, it faces the purple wall with the exhibits which the visitors can enjoy while waiting for the doctor. This wall and the diffused lights in it give subtlety to the whole environment of the waiting lounge. Sublime colors like white, yellow and purple were used to give the room a very light feeling and not intensify the pain that they might already be feeling due to their dental urnished with improvised old furniture we got from the house owner. The old and damaged furniture were topped with frosted glass to give it a new look to go with the whole environment. The unwanted west light is blocked by a locally made bamboo and weaves curtain from Kala Mandir at Kupondol. These curtains also act as a background for different exhibits during exhibitions. The artificial lighting at night time is done by spotlights and energy saving fluorescents creating different shades of warm yellow and white.Non-uniform beam grids are covered with false ceiling at points to generate a more interesting pattern and help in the lighting and aiting lounge is the reception. Separated by around a two feet wide low ceiling and an improvised kitchen counter (now a reception desk), the reception, painted in yellow and white, is an open affair. The white wall also the Dent Inn logo – a glass etched emblem on textured Nepali paper.
 

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