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- Demystifying American Diplomacy
- Caterpillar In Siam
- The Director
- Bidhata
 
 
 

 

Demysifying American Diplomacy


The approach to the embassy is through the harsh concrete gate structure dressed in the cold gray of granite knitted along the equally resistive impressions of the barricaded boundary. As you walk along, you are confronted by the irksome security checkpoints and guards with guns, vigilant and imposing, making anyone walking in, apprehensive. Although the openness of the garden compound that lies before the entrance of the chancery building softens the impact of high security, tension is, always and forever, impending in any embassy architecture; where security defines every aspect of design. And why not! With the history of terrorist bombings of the American Embassy in Beirut in 1983 followed by the 1998 bombings of U.S. embassies in East Africa, the call for security cannot be denied. As noted by Sharon Hudson, the former deputy director of the American Center, “The protection of the American and Nepali employees and mainly, the visitors who are mostly locals, is the primary consideration.” Even the interiors with its mechanically controlled ventilation, heating and air conditioning are proof of the security laden fortress. The security demands of the embassy make it almost impossible to pursue a naturally ventilated solution.

According to Jane C. Loeffler, historian and author of ‘The Architecture of Diplomacy: Building American Embassies’, the exorbitant security of U.S. embassies is the “undesired visual cues of strength and impenetrability that can transmit aloofness, anxiety and an absence of goodwill.” Security should not be so stringent that the building becomes a bastion, where the atmosphere of caution is heightened by the constricted and controlled environment of the interiors stripped of day light and a view. That said, the atrium that divides the chancery building into two blocks provides a much needed sense of relief from the cautious air of the embassy and comes as a breath of fresh air, letting maximum natural light pour into the offices. This intrusion of natural light combined with the illusion of depth, caused by the narrowness of width in relation to the length of the atrium, manifests dramatic presence: it is indeed a point of encounter, where two contrasting ideas collide and blend, where tension of formality dissolves and dynamism of interaction is born. This is what can be termed as ‘logical security.’
Further traces of the new embassy’s ‘logical security’ can be seen in its openness. For any visa seeker and other visitors to the embassy myself, the garden compound which lies in between the domineering gates (with its imposing guards) and the chancery building reasonably softens the tension factor and the impact of the high security that is initially felt when walking in from the front gates. The waiting area located in the huge porch extending towards the lush landscape of local plant species and the Consular Section, furnished in cozy touches of wood, fabric paneling and a naturally lit interior with huge design windows overlooking the indigenous and endemic soft-scapes, provides for a relaxed and open atmosphere.

Yet, the tangible example of openness is the building’s discernible ‘visual link’. In other words, the best spectacle of the embassy and the compound is from the surrounding buildings, making the compound remarkably exposed. According to the Construction Manager, Owen J. Dunn of OBO (Overseas Building Operations), permission is often sought from neighbouring locals to photograph the panorama of the embassy architecture and to observe construction progress from neighboring terraces. In light of this information one can even be so bold as to say that the embassy is an architecture of resolution where stringent security requirements are waived in favor of ‘logical security’ that allows openness to prevail. Really, what can be a more tangible metaphor of clarity than the visual link that allows transparency and public inspection?
Another symbol of openness is expressed in the embassy’s efficiency and accessibility. In addition to providing improved work environment for its staff, the embassy also offers better public services. ‘Openness as functionality’ is perhaps the most important message of transparency the new embassy propagates. Ambassador Moriarty was said to be adamant on introducing the American Library in the Chancery Building, accessible to visitors. His point being that the library, in addition to providing a wealth of information on American culture, would also serve as an excuse for people looking forward to stepping into the embassy compound. This view is shared by the Embassy’s new leadership as was evident by Ambassador Nancy J Powell’s comments at the Library’s recent opening ceremony. Ambassador Powell emphasized the Library’s long history of providing access to information to Nepalis.

Such a suggestion of transparency is an exception amongst U.S. embassies. In the case of equating security and openness, it is as relevant as the highly praised Ottawa’s chancery designed by David Childs of Skidmore, Owings and Merrill. Gordon Giffin, the ambassador of Ottawa Embassy, pleased with the quality of his workplace environment, had commented “Security ought to be the primary consideration, but not the sole consideration.” On that note, even the gate architecture of the new Embassy becomes notable. Although the design of the gate suggests high security (as previously suggested), upon closer inspection of these structures we notice that its image of impenetrability is broken by the introduction of the visually vulnerable length of slit. This detail gives glimpses of the garden compound and beyond, linking the inside and outside, again blending security with openness.

Furthermore, the building follows LEED (Leadership in Energy and Environmental Design) which might be the most significant feature of this embassy. A standard United States Government (USG) requirement, LEED design is based on a series of elements which promotes the use of sustainable energy and an overall green building. LEED Green Building Rating system is the accepted benchmark for the design, construction and operation of high performance green buildings in the U.S. It also promotes a whole building approach to sustainability by recognizing performance in five key areas of human and environmental health: sustainable site development, water savings, energy efficiency, materials selection and indoor environmental quality.

The green technology incorporated into the design of the embassy includes sensors that turn office lights off in the room when un-occupied, sun shades to reduce temperature on exterior windows and laminated glazing on its glass along with heavy insulation on the walls to reduce heat transfer, saving on heating and cooling, the use of day lighting to save on electricity, energy efficient HVAC chillers and light fixtures and an on-site waste water treatment plant to treat water before being released into the municipal sewer system.

The concept of sustainability in hi-tech buildings may be new to Nepal; nevertheless, the idea can be propagated for transition of our buildings to sustainable design. After all, the technology of green building is prophesized to be the identity of 21st century architecture and it also serves as an inspiration towards sustainable architecture in Nepal.

In conclusion, if one anticipates the new U.S. Embassy to be the dramatic architectural wonder that symbolizes the spirit of the new century which goes beyond convention in articulating innovative possibilities of civic architecture, then the building is indubitably disappointing. In fact, the design makes no attempt to be anything more than a relevant diplomatic outpost. It neither represents a propagandistic nature of architecture as Rem Koolhaas’s transparent embassy of the Netherlands in Berlin nor does it stand for a cultural symbol like the Finnish Embassy in Massachusetts. As if to demystify complexities of diplomatic affairs and to moderate criticisms and controversies surrounding the whimsical designs, the new Embassy pertinently simulates the humble modernistic demeanor that intelligently communicates the humility of America’s diplomatic presence in Nepal.

In that respect, the new U.S. Embassy is a success story. It embodies sustainability and tackles the vital issue of ‘balancing security and openness’. It presents a secured workplace environment with well fortified construction, yet has a harmonious presence amid its surroundings. Rather than through architecture, the embassy projects tangible form of openness in functionality. This, one can say, could also be the kind of ideology Nepal policies and politics should follow - a sustainable and sensible form of diplomacy that leads to a secure and bright future of Nepal and the Nepali way of life.

 

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